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Author: Nicole Gordon

September 29, 2026 Nicole Gordon

Carved Stone and Cast Detail in Older District Houses

The keystone over the door had lost its face. Not cracked — gone, weathered back about an inch and a

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September 29, 2026 Nicole Gordon

Small-Batch vs One-Off: What Changes in the Price

Somebody asked for a quote on one stool, then on six of the same stool, and was annoyed that six

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September 29, 2026 Nicole Gordon

Reading a Century-Old Facade Before You Restore the Detail

There were four different cornice profiles on one building, and the owner wanted to know which was the original. Three

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September 29, 2026 Nicole Gordon

Hand-Cut Joinery in a CNC Shop: Where Each Belongs

There is a drawer in the shop that holds two sample joints. One is a set of through dovetails cut

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September 29, 2026 Nicole Gordon

Choosing Between Walnut, White Oak and Ash for a Lifetime Piece

A couple came in certain they wanted walnut for a dining table, and left having chosen ash, which nobody expected

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September 29, 2026 Nicole Gordon

Designing a Built-In for a Room That Doesn’t Exist Yet

The drawing said the alcove would be 96 in wide. When I turned up to install, it was 94 3/4

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September 29, 2026 Nicole Gordon

Sourcing Salvaged Timber and What to Refuse

A demolition contractor once offered me a truckload of joists out of a 1890s mill building — Douglas fir, 3

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September 29, 2026 Nicole Gordon

Resin and Epoxy Floors as a Finished Surface, Not a Garage Afterthought

The first resin floor I specified failed in eleven months, and it failed for a reason that had nothing to

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September 29, 2026 Nicole Gordon

Studio Notes: What We Changed After a Hundred Commissions

Around the eightieth commission I started keeping a single page per job: what was quoted, what it actually took, and

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September 29, 2026 Nicole Gordon

Matching Grain Across a Wall of Panelling

Twenty-two panels, one wall, and a client who had seen a photograph of a library in which the figure ran

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Trades we work alongside

Joinery rarely stands alone. Notes from the other side of the job: Carved Stone and Cast Detail in Older District Houses, Colour, Aggregate and Cure: Treating Concrete as a Finish, Designing a Built-In for a Room That Doesn’t Exist Yet, Face-Frame or Frameless: Specifying Custom Cabinetry That Lasts, Matching Grain Across a Wall of Panelling, Reading a Century-Old Facade Before You Restore the Detail, Repointing a Philadelphia Rowhouse Without Erasing Its Face, Resin and Epoxy Floors as a Finished Surface, Not a Garage Afterthought, Sculptural Hardscape: When the Garden Wall Is the Piece, and Stoops, Steps and Street Presence on Staten Island.

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